Chapter 34: Milk of London
| Founding Publishers | Mike and Stephen Malbon | |
| Creative Director | Sir Frank | |
| Guest Curator | Zoltar The Magnificent | |
| Editor In Chief | Frank Green | |
| Managing Editor | Adam Pasulka | |
| Editor At Large | J. Nicely | |
| Associate Editor | Justin Briggs | |
| Reality Editor | Dan Tochterman | |
| Photo Editor | Craig Wetherby | |
| Production Director | Anton Schlesinger | |
| Lead Designer | Shanti Garcia | |
| Graphic Designer | Thomas "Bongi" Bongiorno | |
| Contributors | Ian Allison, Peter Bach, Janette Beckman, Orlando Campell, Jake & dinos Chapman, Fabricator of Uselessness, Alex Friedman, The Friends of Cuts, Phillip Jones Griffiths / Magnum Photos, Mary Harrsch, John Issacs, Gary Kemp, Dr. Robert Laing, M.D, Kieron Livingstone | |
| Interns | Amanda Abramson, James Carter, Christian Hinestrosa, Andrew Kay, Shon Lindauer, Brandon Mchie, Louis Rivera | |
| Director of Legal Affairs | Brian J. Marvin | |
| Sponsorship & Ad Sales Director | Eric Shorter | |
| Partnership Marketing & Events-Manager | Domingo Neris | |
| Industry Relations | Christian Alexander, Daks, Max Perlich | |
| Chop Shop General Manager | Todd Nisbet | |
| Head Barber | Mr. Bee | |
| Distro League Management | Dave Cove | |
| US/Japan Ambassador | Daisuke Shiromoto | |
| Far East Operations Directors | Lyntaro Wajima, Takayuki Shibaki |
Like a candy shop of provocative colors, lavish fabrics and lashings of dementia, Dan Macmillan’s brainchild, Zoltar The Magnificent, represents the twisted future of Britain’s once-sheltered youth, now that the seams of respectability have begun to stretch. Like heralds announcing the fall of an empire, or perhaps the dawning of a new one, Zoltar are merchants of inescapable change. Decadent, depraved, glamorous and absurd, be warned: you might like what you see.
Taking their mysterious name from a pagan god of the bacchanal, an animatronic soothsayer and the Hounds of Hades, Zoltar are an enigma, perverting the relationship between commerce and fine art, while reveling in a world populated by post-War children’s comics, gangland violence, voodoo mysticism and Victorian taxidermy. Macmillan and friends simultaneously indulge and undermine the London status quo, with a pat on the head and a punch to the gut.
Frank151 joined Zoltar the Magnificent in the creation of a grand spectacle spanning the ancient and the futuristic, the idyllic and the appalling, the privileged and the impoverished, all staged on the streets they hail from: London Town.














